New York City Mayor Eric Adams (D) and New York Gov. Kathy Hochul (D) are under mounting pressure to suspend the city and state’s sanctuary policy that shields criminal illegal aliens from deportation.
Since President-Elect Donald Trump’s victory last month, Adams and Hochul have both voiced support for aiding Immigration and Customs Enforcement (ICE) agents with deporting criminal illegal aliens from New York — one of the nation’s largest sanctuary states.
“Someone breaks the law, I’ll be the first one to call up ICE and say, ‘Get them out of here,’” Hochul said during a press conference last month.
Democrats and Republicans on the New York City Council are now urging Hochul to back up her words and suspend the state’s sanctuary law that bans local law enforcement from cooperating with ICE agents.
“The recent surge in violent crime, including incidents involving migrant gangs in Central Park and Queens parks — where they have been reported to be raping, robbing, assaulting, and even shooting at police officers — demands immediate and decisive action,” the coalition of councilmembers write to Hochul:
We urge you to consider issuing an executive order under the emergency powers granted to your office that would allow New York City to temporarily waive its sanctuary city laws. This would enable federal agencies, including ICE, to work more effectively with local law enforcement to address these grave threats. During the COVID-19 pandemic, your office and that of your predecessor utilized executive orders to respond swiftly to the crisis. We believe that the current situation, with its potential for terror-related activities and the escalating violence in the city, warrants a similar response.
The letter was led by Robert Holden (D-Queens) and signed by Joseph Borelli (R-Staten Island), Inna Vernikov (R-Brooklyn), David Carr (R-Staten Island), Kalman Yeger (R-Brooklyn), Joann Ariola (R-Queens), Vickie Paladino (R-Queens), Kristy Marmorato (R-Bronx), and Susan Zhuang (D-Brooklyn).
Similarly, Holden sent a letter to Adams pressing him to begin lobbying in opposition to New York City’s sanctuary policy. In particular, Holden said Adams should start by reopening the shuttered ICE office at Rikers Island.
“Tough talk is good, but actions speak louder,” Holden said:
The mayor had the chance to amend or repeal sanctuary city laws through his Charter Revision Commission but chose not to. Now, it’s time to right these wrongs. To truly show commitment to public safety, Mayor Adams should reopen the ICE office at Rikers Island and give the NYPD, Department of Corrections, and Department of Probation the ability to communicate with ICE and honor detainers for criminal migrants. [Emphasis added]
Former Mayor Bill de Blasio (D) had the ICE office at Rikers Island closed in 2015.
This week, Adams blasted President Joe Biden and Vice President Kamala Harris for their releasing millions of migrants into the United States — hundreds of thousands of whom have ended up in New York City.
“We didn’t invest in seniors the way we should have and young people … the crimes that we witnessed … we all should be angry about what happened to this city under this administration,” Adams said.
Adams said he wants to work with Trump and incoming border czar Thomas Homan to help deport criminal illegal aliens from New York City.
“Those who are here committing crimes, robberies, shooting at police officers, raping innocent people, have been a harm to our country. I want to sit down and hear the plan on how we’re going to address them,” Adams said. “Those are the people I am talking about. I would love to sit down with the border czar and hear his thoughts on how we’re going to address those who are harming our citizens.”
John Binder is a reporter for Breitbart News. Email him at [email protected]. Follow him on Twitter here.
On Wednesday, Breitbart Editor-in-Chief and “Alex Marlow Show” host Alex Marlow discussed the nomination of Pete Hegseth for defense secretary.
Marlow said, “[O]nce they feel like the media can run this coup, this Kavanaugh playbook and take out Hegseth, then they’re going next for Tulsi Gabbard, they’ll go for some Republican saying she’s not Republican enough, they’ll go for Robert Kennedy, they’ll find something nutty he said about his brain worms or something…and then, all of a sudden, we’re going to get the Deep State Cabinet again.”
“The Alex Marlow Show,” hosted by Breitbart Editor-in-Chief Alex Marlow, is a weekday podcast produced by Breitbart News and Salem Podcast Network. You can subscribe to the podcast on YouTube, Rumble, Apple Podcasts, and Spotify.
Collective psychology is hard to quantify and even harder to analyze. In recent weeks, however, I’ve seen increasing anecdotal evidence that the current eruption of antisemitism is starting to take a severe psychological toll on all of us.
I have had friends tell me that they no longer feel at home anywhere. Others say that, in their darker moments, they no longer wish to be Jewish. Every few weeks, and sometimes more often than that, I am told another horror story of an encounter with antisemitic protester-terrorism and the psychological damage it caused. I cannot put all this down to coincidence. A larger phenomenon is at work. It is becoming universal.
It seems as if the breaking point was the Amsterdam pogrom. The sight of Jews being hunted and beaten on the streets of an ostensibly civilized city, and then the authorities’ insistence on blaming the violence on the Jews themselves, appears to have finally convinced many Jews that they have no place in an evil world. Worse still, since that evil world will never hold our enemies accountable for their crimes, that world is not just evil but ruled by injustice. Moreover, with Israel under constant assault and its existence always precarious, many feel that their one place of refuge and justice remains existentially endangered. Israel’s recent military gains, which to my mind have proven conclusively that Israel is not only here to stay but is now the most powerful nation in the Middle East—whether the world likes it or not—have understandably gotten lost amid the endless series of traumas.
All of this, in other words, is getting to us. In a sense, this isn’t surprising. In some ways, it’s surprising that it’s taken so long to get to us. Many people I know feel that everyone hates us and, while I know this is not entirely true, I certainly understand the sentiment. Moreover, the implications of this are horrifying, because it means that the vast majority of humanity is—at least when it comes to the Jews—more or less completely insane. I regret to say that I cannot tell my friends that they’re wrong to believe this. Perhaps they are right to despair of mankind.
Indeed, we are forced to ask: What faith can we now have in humanity? Not, I regret to say, a very great deal. I am reminded of a story Elie Wiesel recounted of a meeting with the Lubavitcher Rebbe. Wiesel, who suffered a lifelong spiritual crisis due to his experience of the Shoah, asked the Rebbe how he could believe in God after the Holocaust. The Rebbe replied: “What do I have to believe in after the Holocaust except for God?” Man, the Rebbe felt, had condemned himself. Again, it’s difficult to say that he was wrong to think so.
Worst of all, perhaps, is the general sense of the endlessness of all this. There appears to be no light at the end of the tunnel. The world will never learn its lesson. This will never end. The antisemites intend to keep doing this forever. Again, I can’t say that this is an unreasonable position to take.
There is some comfort to be had, of course. It may not feel like it, but the Jews do have many friends. There are good people out there. Israel is strong and getting stronger. It has decimated many of its enemies. Unlike in the past, Jews have the power to fight back and win. We have each other as well. There is immense power in Jewish solidarity and our capacity to empathize with and support each other. It can salve many wounds.
Nonetheless, the pressing question is how to treat the immediate problem. It is easy enough to tell Jews that they should stand up for themselves, resist, get involved, join the struggle, and embrace pride in themselves and their heritage. A Jew can do all of this and our enemies will still be there. They may not be able to win, but they can take a terrible toll in lives and souls. The trauma is there whether we like it or not.
I confess that I do not have a single answer as to how to deal with all this. I do sense, however, that it involves acknowledgment. Jews often take pride in their capacity for endurance; the strength we have displayed by defying and surviving an evil world. But I think this is not enough. We must, first and foremost, stop demanding that we be strong all the time. We have to grant ourselves the right to, at certain points, admit to our brokenness; to admit that we are not always strong, that sometimes it is too much for us, and that there is no shame in this. The Jews are a traumatized people and we cannot overcome that trauma until we acknowledge it emotionally rather than historically or politically.
The writer Ben Freeman has written eloquently on this subject and I will not seek to add to his analysis. I will note only that he once told me that truly dealing with our trauma will involve a certain cultural shift. For some 3,000 years, the Jews have tended to deal with trauma by blaming themselves. As far back as biblical times, Jews usually ascribed their troubles to their failure to observe God’s laws and their constant backsliding into idolatry. They believed that their inability to live up to their side of the Covenant resulted in divine punishment and they had no one to blame but themselves.
Freeman told me, and I agree, that we must finally accept that this is not true. The problem isn’t us. Antisemitism is the fault of antisemites, not the Jews. The victim is not to blame.
Perhaps if we can make this shift, we can finally deal with our shame, anger, sadness, and horror at what has been done to us. This does not mean embracing victimhood and helplessness. It does not demand a lachrymose understanding of Jewish history that acknowledges only persecution and suffering. It demands only that we admit that we are human too, because this is the only way to truly assert our humanity. It is the only way to demand that the world acknowledge the reality of what it has done and take some measures to alleviate it.
Our true enemies, of course, will never do this. But there are enough people who will to give us at least some hope. By acknowledging our pain rather than simply lamenting it, we demand that the world finally live up to its fine promises. If it chooses not to do so, we will at least know that we have been honest with the world and with ourselves. This is not a panacea, but there is, I think, a certain dignity and nobility in it. It is, above all, what the beleaguered Jews of today require.
Yes, it is getting to us. Yes, it has broken us to some extent. But then again, as the Kabbalists tell us, the world is broken, which means everyone is broken and everyone is allowed to be broken. It is what we do after we acknowledge our brokenness that decides everything. At the moment, I do not know precisely what this should be, but I do know that it is time for us to ask the question. This, perhaps, is the first step towards answering it.
Murder of UnitedHealthcare CEO Brian Thompson Raises Questions Amid Threats and Speculation
Edited by: TJVNews.com
The sudden and violent murder of UnitedHealthcare CEO Brian Thompson outside a Manhattan Hilton hotel on Wednesday has sent shockwaves through the corporate and healthcare sectors. As reported by The New York Post, the shooting—described by police as targeted—occurred against the backdrop of an ongoing Department of Justice (DOJ) antitrust investigation into the company and raises questions about recent financial dealings by its top executives.
UnitedHealthcare, one of the largest healthcare firms in the world with annual revenue of approximately $372 billion, has been under federal scrutiny for acquisitions that allegedly consolidated its market dominance in violation of antitrust laws, according to the information provided in The New York Post report. This investigation, launched earlier this year, has cast a spotlight on the actions of several senior executives, including Thompson.
Thompson, 50, was among a group of UnitedHealthcare executives who reportedly sold significant shares of company stock just days before the DOJ probe became public. On February 16, Thompson exercised stock options and sold shares worth $15.1 million, despite the options having several years before expiration, The New York Post report revealed. This sale marked his first major liquidation of stock since assuming his role as CEO of UnitedHealth’s insurance division in 2021.
In total, Thompson, along with Chairman Stephen Helmsley, Chief People Officer Erin McSweeney, and Chief Accounting Officer Tom Roos, sold $101.5 million in shares, as per the information in The New York Post report. Helmsley alone reportedly netted nearly $85 million. The timing of these transactions, occurring just before the DOJ investigation was revealed, has drawn intense scrutiny and raised suspicions of potential insider trading.
Corporate governance experts have highlighted the unusual nature of these transactions. Charles Elson, founding director of the Weinberg Center for Corporate Governance at the University of Delaware, told Crain’s New York Business that such high-value stock sales by senior executives are typically subject to legal oversight. A company’s general counsel would normally assess whether the transactions necessitated additional disclosures to shareholders or the public before their execution.
Following the revelation of the DOJ investigation, UnitedHealth’s stock price dropped sharply, compounding concerns about the timing of these sales. The report in The New York Post indicated that while no charges of wrongdoing have been filed, the coincidence of the sales and the subsequent federal scrutiny has raised questions about the company’s transparency and internal controls.
Thompson’s death and the DOJ probe are not the only challenges UnitedHealth has faced this year. Earlier in 2023, the company suffered one of the largest healthcare data breaches in U.S. history, compromising the private information of as many as one-third of Americans. According to The New York Post report, the breach exposed sensitive data, including Social Security numbers, and resulted in a $22 million ransom payment to hackers.
CEO Andrew Witty disclosed to a Congressional panel in May that the total financial fallout from the ransomware attack was estimated at $705 million, as per a Reuters report. This incident, combined with the ongoing federal investigation, calls attention to the immense pressure and challenges the company has been navigating in 2023.
The circumstances surrounding Thompson’s death are deeply troubling. According to police reports, the shooting appears to have been targeted, although authorities have yet to disclose a motive or identify suspects. The high-profile nature of Thompson’s position, coupled with the DOJ investigation and the significant financial stakes involved, has led to widespread speculation about potential connections between his murder and the broader corporate controversies engulfing UnitedHealthcare.
The stock sales by Thompson and other executives may also reignite discussions about corporate accountability, particularly in sectors as critical as healthcare. Should the DOJ find evidence of antitrust violations or insider trading, the repercussions could extend beyond financial penalties, potentially reshaping the governance practices of major corporations.
Brian Thompson’s career at UnitedHealthcare was marked by significant milestones, including his leadership of the insurance division during a pivotal period of growth. However, his tenure is now overshadowed by unresolved questions surrounding his actions, the federal investigation, and his untimely death. As The New York Post reported, Thompson’s tragic end adds another layer of complexity to an already fraught narrative, leaving both his legacy and UnitedHealthcare’s future in uncertain territory.
Thompson’s wife, Paulette Thompson, confirmed that her husband had been receiving threats prior to his death, as was indicated in a report on Newsmax on Wednesday. Speaking to NBC News, she revealed that Brian had mentioned people who were “threatening him,” though the details and context of these threats are still unknown.
“There had been some threats,” Paulette Thompson said, adding, “I don’t know, a lack of coverage?” This cryptic statement seemingly references her husband’s role as CEO of UnitedHealthcare’s insurance division, but she admitted she lacked specific details.
Still in the throes of grief and attempting to console her children, Paulette described her shock at the events, noting that police had informed her the shooting was deliberate. “I just found this out and I’m trying to console my children,” she told NBC, as was reported by Newsmax.
According to police, Brian Thompson, 50, was approached from behind by a masked gunman who had been lying in wait outside the Hilton hotel. The shooter fired multiple rounds, hitting Thompson at least once in the back and once in the right calf. The attack occurred in broad daylight in a busy Midtown area.
Thompson was rushed to Mt. Sinai Hospital, where he was pronounced dead shortly thereafter. Police confirmed the suspect was dressed in a black hoodie and black pants and carried a gray backpack. Investigators believe the gunman used a firearm equipped with a silencer, a detail provided by a source familiar with the case, as reported by Newsmax.
Following the shooting, the suspect fled the scene on foot before escaping into Central Park on a Citi Bike. Despite a swift response from law enforcement, no arrests have been made. Crime Stoppers is offering a $10,000 reward for any information that leads to an arrest.
At a press conference, New York Police Department Chief of Detectives Joseph Kenny stated that evidence strongly suggests the attack was targeted. “The motive for this murder is currently unknown,” Kenny said. “But based on the evidence we have so far, it does appear the victim was specifically targeted.”
While authorities work to piece together the circumstances of the crime, questions surrounding potential motives remain. Thompson’s high-profile role as CEO of UnitedHealthcare’s insurance division places him in a position of significant influence within the healthcare sector, and his leadership may have made him a target, the report on Newsmax indicated. However, no direct connection between his professional life and the attack has been established.
Brian Thompson’s death has left his family and colleagues reeling. As a leader of one of the world’s largest healthcare organizations, Thompson had earned a reputation for steering UnitedHealthcare’s insurance division through challenging times. His untimely death not only disrupts his family’s lives but also raises concerns about safety and security for high-profile executives in contentious industries.
In her brief comments to NBC, Paulette Thompson emphasized her focus on her children during this difficult time. “I can’t really give a thoughtful response right now,” she said, her voice reflecting the immense weight of her grief.
As the investigation continues, the lack of a clear motive and the calculated nature of the attack have fueled public speculation. The use of a silencer, the shooter’s precise timing, and the apparent planning behind the escape route suggest a level of premeditation that calls attention to the complexities of the case.
Disney released the second trailer for its $300 million (at least) live-action Snow White remake on Tuesday and within hours, thousands upon thousands of commenters were shredding the two minute advert. Many among the 12,000-plus critics are pointing to Snow White actor Rachel Zegler’s post-election comments, in which she wished for those who voted for President Elect Donald Trump to “never know peace.”
“Rachel Zeglar – the people need some kindness,” one commenter said quoting the film, and then, adding “Also Rachel Zeglar – May over half of the U.S. never know peace.”
Of course, Zegler apologized for her “FUCK DONALD TRUMP” screed but not before she suggested that his supporters are part of a “deep, deep sickness in this country.”
Rachel Zegler hopes Trump supporters never know peace, tells her followers to get off X because Elon Musk supported Trump, and ends with- “Fuck Donald Trump.”
THIS is Disney’s Snow White. (btw she probably won’t face any consequences for posting this by Disney due to their… pic.twitter.com/daDVfUi3l1
Is it any wonder, then, why some commenters went so far as to wish for the Evil Queen (Gal Gadot) to triumph over Snow White?
It’s a disastrous Déjà Vu for Disney. This trailer dropped just four months after the first one, which was also poorly received. “With nearly 6.7 million views on YouTube, the downvotes outnumber the upvotes by ten — TEN! — times,” Breitbart’s John Nolte wrote at the time. “Only 69,000 people out of 6.7 million bothered to upvote the trailer. An astonishing 735,000 gave it a downvote.”
And the passage of time (LOL) hasn’t been kind to the first trailer. It now has double the downvotes (1.4 million) and only added 30,000 upvotes.
If you’ve lost track of the scandals surrounding this film and its rollout, you’re probably not alone. Indeed, Zegler initially spent some time promoting her remake by trashing the beloved 1937 classic original as sexist and dated. Disney dumped dwarfs from the film after famous midget actor Peter Dinklage derided the idea of casting midgets to play dwarfs. The studio then set out to record costly reshoots and replaced the seven dwarfs with “magical beings.”
Then there’s Zegler’s decision to declare “Free Palestine” on social media in August while promoting the first trailer. Her co-star Gadot, an Israel Defense Forces veteran and former Miss Israel, hasn’t publicly commented on Zegler’s inflammatory remarks.
Below are just a few of the many viral trailer comments on YouTube:
I want the queen to win in this version.
Disney: Relive the classic story! Also Disney: Changes the classic story
Disney: we are a diverse and inclusive company also Disney: we don’t hire dwarves….
The Queen is the true hero, saving the kingdom from snow white.
She doesn’t need the poisoned apple. She’s toxic enough by herself.
If i saw this movie on a plane. I would still walk out.
Rachel Zeglar – the people need some kindness Also Rachel Zeglar – May over half of the U.S. never know peace
Disney’s Snow White will release only in theaters March 21, 2025.
Robert Ryman’s Minimalist Artwork Commands the Spotlight at Ketterer Auction
Edited by: TJVNews.com
On December 6, the Ketterer Kunst auction house in Munich will offer an artwork by American minimalist artist Robert Ryman, titled “General 52×52”, for an estimated price of 1 to 1.5 million euros. The piece, a strikingly simple white canvas without any drawing, exemplifies Ryman’s mastery of minimalist and analytical painting. Its anticipated high price underscores the enduring influence of his work on the art world.
Robert Ryman (1930–2019) is celebrated as one of the foremost figures in minimalism and analytical painting, a movement that seeks to strip art to its essentials. His works focus on the interplay of light, texture, and material, often using white as a primary medium to explore depth and perception.
In the 1970s, Ryman began creating serial paintings, a practice that involved working with the same materials, colors, and surfaces across multiple canvases. Despite their shared attributes, the pieces varied in size and subtle details, inviting viewers to consider the nuances of repetition and variation.
“General 52×52” is emblematic of this approach. Its blank, white surface might appear simple at first glance, but it is meticulously crafted to draw attention to the subtle textures of the paint and canvas. This deliberate focus on materiality and form highlights Ryman’s belief that the experience of viewing art is as significant as the object itself.
The estimated price of 1 to 1.5 million euros for “General 52×52” reflects Ryman’s stature as an icon of minimalism. While his works may appear understated, their value lies in their intellectual and artistic rigor. According to Ketterer Kunst, Ryman’s art represents a pivotal chapter in the evolution of modern painting, redefining the boundaries of visual art.
This is not the first time Ryman’s works have commanded significant sums. Some of his paintings have sold for as much as 19 million euros, a testament to his enduring legacy and the demand for his art among collectors. “General 52×52” is expected to attract bids not only for its aesthetic purity but also for its historical significance as part of the broader minimalist movement.
Ryman’s exploration of white as a dominant motif was not merely an aesthetic choice—it was a philosophical inquiry into the nature of painting. He rejected traditional notions of representation, opting instead to focus on the act of painting itself. By emphasizing materials, brushstrokes, and the interaction of light on a surface, Ryman’s works compel viewers to engage with art on a fundamental level.
This approach has had a profound influence on contemporary art, inspiring artists to question the purpose of visual representation and the role of simplicity in expression. “General 52×52” exemplifies Ryman’s ability to evoke depth and complexity through restraint, making it a significant acquisition for collectors and institutions alike.
The upcoming sale of “General 52×52” at Ketterer Kunst adds to the excitement of the December 6th auction, which will feature other notable works. However, Ryman’s piece is expected to be a centerpiece, attracting global attention from collectors who recognize the value of minimalism in art history.
For enthusiasts and scholars, this auction is more than a transaction—it is an opportunity to reflect on the transformative power of simplicity and the legacy of an artist who challenged the conventions of his time. As minimalism continues to resonate in the modern art world, Ryman’s “General 52×52” serves as a reminder that even the most pared-down works can hold profound meaning and command exceptional value.
As it heads to auction at Ketterer Kunst, its expected sale highlights the enduring relevance of his work and the intellectual depth that underpins minimalist art. In a world often saturated with complexity, Ryman’s art reminds us that profound truths can be found in the simplest of forms.
Beyond Art Basel: Miami’s Diverse Artistic Offerings During Art Week
Edited by: TJVNews.com
While Art Basel Miami Beach commands global attention with its celebrity sightings, bustling gallery booths, and high-stakes deal-making, the city offers a plethora of parallel cultural experiences that cater to those seeking art at a more contemplative pace. From immersive exhibitions to groundbreaking public art installations, Miami Art Week provides a rich tapestry of artistic offerings that extend beyond the convention center floor. As indicated in a report in The New York Times, these venues and projects offer a deeper dive into Miami’s multifaceted art scene.
The Bass Museum of Art: Rachel Feinstein’s Homage to Miami
The Bass Museum of Art in Miami Beach presents “Rachel Feinstein: The Miami Years”, a major retrospective by the New York-based artist and Miami native. This exhibition delves into the city’s profound influence on Feinstein’s practice over the past three decades. The show, comprising 19 works across sculpture, painting, and video, captures the unique dualities of Miami—a place where urban grit collides with glamorous artifice and untamed nature.
The centerpiece of the exhibition is a breathtaking 30-foot-long landscape painted on mirrored panels, a surreal fusion of significant locations from Feinstein’s youth. This magnum opus pays homage to the artist’s memories of old Miami, blending personal nostalgia with a reflection on the city’s evolving identity, according to the information provided in The New York Times report. Feinstein’s exhibition is both a celebration of her hometown and a profound commentary on its layered cultural fabric.
Mid-Beach: The ReefLine and “Miami Reef Star”
Miami’s ambition to combine art, ecology, and public engagement takes center stage with the ReefLine, a seven-mile underwater sculpture park and snorkel trail designed by the renowned architectural firm OMA. Slated for phased installation starting in spring 2025, the ReefLine is Miami’s answer to New York’s High Line—a transformative public art project that redefines urban space.
As a preview, the project’s founder and artistic director, Ximena Caminos, is unveiling “Miami Reef Star”, a 60-foot sculptural prototype by artist Carlos Betancourt. On display along the beach from Tuesday to Sunday, the work features 46 star-shaped modules of varying sizes that rise like an intricate sandcastle, as per the information in The New York Times report. Once submerged, the final ReefLine installation will span a 90-foot diameter at depths of 15 to 20 feet, visible even from airplanes.
Complementing the preview is “The Great Elephant Migration”, a herd of 100 life-size Indian elephant sculptures organized by Dodie Kazanjian, founder of Art & Newport. The elephants, previously displayed in New York’s Meatpacking District, form parallel lines along the beach, symbolizing harmony with the natural world and offering a poignant juxtaposition with the ReefLine’s future underwater habitat.
Institute of Contemporary Art Miami: Lucy Bull’s Abstract Vision
The Institute of Contemporary Art Miami (ICA) celebrates the innovative work of abstract painter Lucy Bull with her first solo U.S. museum show, “The Garden of Forking Paths.” Bull’s optically rich canvases invite viewers into a kaleidoscopic journey of shifting forms and vibrant colors, where the micro and macro continuously intertwine.
The exhibition features 16 paintings, including several monumental diptychs spanning 10 feet horizontally. The highlight of the show is a commissioned triptych for the museum’s stairwell, soaring almost 40 feet vertically. As The New York Times report emphasized, the scale and complexity of Bull’s work challenge traditional perceptions of abstraction, offering an immersive experience that pushes the boundaries of painting as a medium.
Adrienne Arsht Center: William Kentridge’s Operatic Voyage
The Adrienne Arsht Center for the Performing Arts hosts the U.S. premiere of “The Great Yes, The Great No,” an opera conceived and directed by Johannesburg-based artist William Kentridge. Known for his mastery of storytelling through charcoal drawings, animation, and performance, Kentridge brings his unique vision to this operatic exploration of historical and mythological themes.
Set aboard an ocean liner traveling from Vichy France to Martinique, the opera weaves together passengers and 20th-century thinkers as characters. At its heart is the ship’s captain, cast as Charon, the mythical ferryman who guides souls to the underworld. As The New York Times report described, Kentridge’s imaginative fusion of history and mythology offers a thought-provoking commentary on human migration, mortality, and the passage of time.
Allapattah – A Vibrant Hub for Contemporary Art
The industrial neighborhood of Allapattah, Miami, has emerged as a vibrant hub for contemporary art, thanks to visionary philanthropists and collectors who have repurposed warehouses into dynamic exhibition spaces. Two standout institutions—El Espacio 23 and Marquez Art Projects—offer deeply engaging experiences that highlight diverse artistic voices while reflecting the city’s growing cultural cachet. As reported by The New York Times, these spaces showcase the transformative power of art and its capacity to explore profound human themes.
El Espacio 23: A Mirror of the Mind
Celebrating its fifth anniversary, El Espacio 23 is the brainchild of philanthropist and real estate developer Jorge M. Pérez, for whom the Pérez Art Museum Miami (PAMM) is also named. Housed in a stunningly repurposed 28,000-square-foot warehouse, this venue serves as a testament to Pérez’s dedication to art and its ability to probe complex ideas.
The latest exhibition, “Mirror of the Mind: Figuration in the Jorge M. Pérez Collection,” is a thematic exploration of the human body as a site of perception, trauma, healing, and belonging, as was pointed out in The New York Times report. Spanning photographs, paintings, sculptures, and videos, the exhibition features works by over 120 artists, including recent acquisitions by Shirin Neshat, Julio Galán, and Anselm Kiefer. The show is divided into six sections:
Perception: Featuring works by Larry Rivers and Nancy Spero, this section investigates how the human body perceives and is perceived.
Trauma: Art by A. R. Penck and Antonio Tàpies delves into physical and psychological scars, emphasizing the resilience of the human spirit.
Introspection: Pieces by Alice Neel and Cindy Sherman explore self-examination and identity through various lenses.
Belonging: Through artists like Deana Lawson and Jared McGriff, this section contemplates themes of community, heritage, and cultural ties.
Healing: Works by Yael Bartana and Carrie Mae Weems celebrate recovery, both personal and collective.
Flesh: Artists such as Vera Chávez Barcellos and Marta Minujín confront the raw physicality of the human form.
As The New York Times report highlighted, this meticulously curated exhibition speaks volumes about Pérez’s commitment to art as a vehicle for introspection and societal dialogue.
Marquez Art Projects: A New Collector’s Vision
Just steps from El Espacio 23, the Marquez Art Projects is a relative newcomer to Allapattah’s art scene, having opened its doors last year. Founded by John Marquez, a Miami-based real estate developer and restaurateur, this 8,000-square-foot nonprofit foundation is already making waves with its emphasis on emerging and often Miami-based artists.
The venue’s centerpiece is the jewel-box gallery, which recently debuted the first U.S. solo show of Katarina Caserman, a Slovenia-born, London-based artist known for her abstract paintings that exude movement and energy. Caserman’s work draws viewers into dynamic spaces where form and motion intertwine, setting the tone for the foundation’s experimental ethos.
Meanwhile, the remaining three galleries host a rotation of approximately 25 works from the Marquez Family Collection, organized into thematic groupings:
Landscape: Featuring pieces by Hayley Barker and Harold Ancart, this section captures the interplay between natural environments and artistic interpretation.
Abstraction: Works by Daisy Parris and Vaughn Spann explore the boundaries of color, form, and texture.
Surrealism: Artists like Emily Mae Smith and George Rouy offer whimsical and dreamlike takes on reality.
As The New York Times report observed, Marquez Art Projects stands out for its emphasis on accessibility and its commitment to showcasing underrepresented voices in the art world.
Art Basel Miami Beach: A Vibrant Conclusion to the Art World’s Year
Edited by: TJVNews.com
Once an ambitious upstart and now a cornerstone of the global art calendar, Art Basel Miami Beach returns for its 22nd in-person edition, running from Friday to Sunday at the iconic Miami Beach Convention Center. With 286 galleries from around the globe participating, the event remains a key highlight for collectors, curators, advisers, and dealers, serving as the final major event in the art world before the holidays. For many, it is the last chance to close significant deals and set the tone for the year ahead.
As highlighted in a report in The New York Times, Art Basel Miami Beach is the culminating event of an art fair circuit that includes stops in Hong Kong (March), Basel, Switzerland (June), and Paris (October). This year alone also featured numerous other fairs, such as the far-reaching Frieze fairs and exhibitions hosted by the European Fine Art Foundation. Among these, Miami Beach has carved out a distinct niche as a vibrant, must-attend event, drawing an impressive 79,000 attendees last year.
This year’s edition carries a theme of fresh energy and perspectives, as Bridget Finn takes the helm as the fair’s new director. Finn, who previously co-directed the Detroit-based gallery Reyes Finn, brings a unique perspective as a former exhibitor at the fair. Her hands-on experience offers a deeper understanding of the needs of dealers and exhibitors.
“She’s been in our business in many capacities, and that’s a huge strength,” Vincenzo de Bellis, Art Basel’s director of fairs, told The New York Times. “She knows the fair from the other side and understands the needs of the dealers.”
In a nod to its theme of renewal, this year’s edition welcomes 34 first-time exhibitors, the largest number of newcomers in a decade. Among them are Pearl Lam Galleries (Hong Kong and Shanghai), Gallery Wendi Norris (San Francisco), and Edel Assanti (London).
“We want to diversify our offerings as much as possible,” de Bellis emphasized to The New York Times. “We need new and different voices.”
This year marks the fifth anniversary of the Meridians section, a platform dedicated to large-scale artworks. The section has undergone notable changes under the stewardship of its new curator, Yasmil Raymond, a former curator at the Museum of Modern Art and the Walker Art Center. It has also been relocated to the south end of the convention center floor to better integrate with the Nova and Positions sections.
“It’s better for the flow of the fair and more consequential as far as what people are seeing in the booths,” de Bellis noted in The New York Times. The previous location near modern art galleries had less synergy with the contemporary focus of Meridians projects.
The 17 projects in Meridians this year are a testament to bold creativity. Standouts include Alice Aycock’s “Goya” (2024), a 10-foot-tall aluminum ribbon sculpture presented by Berlin’s Galerie Thomas Schulte, and Zhu Jinshi’s “Pathway” (2024), a stunning installation made of 16,000 sheets of paper supported by bamboo and cotton, exhibited by Pearl Lam Galleries.
Art Basel Miami Beach’s sheer scale can be overwhelming, but its dynamic programming and thoughtfully curated sections ensure there’s something for every attendee. From first-time exhibitors to monumental installations, the event’s commitment to innovation and inclusivity continues to shape its reputation as a global art hub.
Miami’s geographic position and multicultural demographic make it an ideal setting for showcasing Latin American art. According to The New York Times report, this year’s edition is no exception, with Brazil taking center stage through the efforts of notable galleries and artists.
The São Paulo-based Carmo Johnson Projects exemplifies the fair’s philanthropic spirit. The gallery presents works from the Indigenous artist collective Huni Kuin Artist Movement (MAHKU), led by artist and activist Ibâ Huni Kuin. Located in the remote Brazilian state of Acre, MAHKU’s creations merge Indigenous traditions with contemporary art forms. According to the information provided in The New York Times report, among their standout pieces is “Dau Shawa Pêturi” (2024), a vibrant acrylic painting that reflects the cultural richness of the Huni Kuin community. Importantly, proceeds from the sales support local causes, showcasing the fair’s ability to intertwine commerce with meaningful social impact.
Brazil’s presence is further amplified by Gomide & Co., another São Paulo gallery with a long-standing relationship with Art Basel Miami Beach. Having participated in the fair for a decade, Gomide’s founder, Thiago Gomide, now serves on the event’s gallery selection committee. As per The New York Times report, this year, the gallery brings a dynamic range of works, including Beatriz Milhazes’s “Sinfonia Nordestina” (2008), a captivating abstraction filled with vivid colors and rhythmic patterns.
In addition to its primary exhibition in the Galleries section, Gomide & Co. curates a specialized showcase in the fair’s Kabinett sector, which focuses on individual artists. This year’s Kabinett presentation features works by Miriam Inez da Silva (1937–1996), a Brazilian artist known for her slightly surreal depictions of leisure scenes, The New York Times report noted. Among her works on display is “Amor de sereia com pescador” (1983), which portrays a whimsical interaction between a mermaid and a fisherman.
“It’s an exciting introduction of someone not known to the American public,” Gomide told The New York Times. “She had a slightly surreal approach and a light, humorous touch.”
In an effort to make art collecting more approachable, Art Basel Miami Beach has introduced the Art Basel Shop, modeled after museum retail shops. Debuting in Miami after successful launches in Basel and Paris earlier this year, the shop offers special-edition collectibles curated by Sarah Andelman, co-founder of the famed Parisian concept store Colette.
“The items are at a lower price point, and it invites people to be in the collecting frame of mind,” de Bellis told The New York Times.
Among the standout offerings are three artist-designed scarves by Janaina Tschäpe and Thalita Hamaoui, both Brazilian, and the American artist Sam Falls. Produced in collaboration with the environmental organization Parley for the Oceans, the scarves are made from a blend of silk and upcycled ocean plastic, retailing at $450 each. Proceeds support Parley’s environmental initiatives, adding another layer of purpose to the fair’s programming.
The convergence of luxury, innovation, and high culture defines Miami during Art Basel, and this year, the international art fair has become a stage for groundbreaking automotive debuts. Both Lamborghini and Jaguar are leveraging Miami Art Week’s global spotlight to showcase their latest creations, placing an emphasis on their ambitions to redefine their brands in an evolving marketplace. As reported by The New York Times, these unveilings are as much statements of artistic intent as they are technological milestones.
Luxury automaker Lamborghini has chosen Art Basel Miami to debut a special edition of its hybrid SUV, the Urus SE, tailored specifically to reflect Miami’s vibrant culture and aesthetics. The Italian brand, known for its unparalleled performance vehicles, sees the Urus SE as a key entry into the growing hybrid market.
In an interview with Bloomberg Open Interest, Lamborghini CEO Stephan Winkelmann emphasized the importance of hybrids in the company’s future strategy. The Urus SE’s debut at Art Basel isn’t just a product launch—it’s a signal of Lamborghini’s forward-thinking approach to blending high-performance engineering with environmental consciousness. By aligning its debut with Miami Art Week, Lamborghini strategically ties the Urus SE to the world of contemporary art and high design, aiming to captivate an audience that values both technological innovation and cultural relevance.
The Urus SE’s Miami-inspired design features bold, tropical color palettes and an interior that embodies both opulence and precision. With Art Basel serving as a hub for affluent tastemakers, the debut positions Lamborghini as a leader not just in automotive performance, but in the intersection of luxury and sustainability.
Jaguar’s unveiling of its pink concept car at Miami Art Week represents a dramatic departure from its storied heritage. As detailed in the report in The New York Times, the vehicle’s avant-garde design reflects the British automaker’s attempt to reinvent itself for a younger, more affluent demographic.
The new car abandons Jaguar’s traditional design cues, featuring a minimalist interior with an oval-shaped steering wheel, a strikingly pink exterior, and the company’s newly introduced logo—a sleek “J and L” symbol replacing the iconic “growler” cat emblem. Perhaps the most unconventional design choice is the lack of a rear windscreen, substituted with rear-view cameras on either side, signaling the company’s commitment to futuristic technology.
This concept car is at the core of Jaguar’s ambitious rebranding strategy, which aims to shed its association with an older, conservative clientele. Managing Director Rawdon Glover has openly stated that Jaguar is moving away from its “Jag man” image, historically epitomized by figures such as Nigel Farage, in favor of targeting a younger, style-conscious audience. Glover asserted that the shift is necessary for the company’s survival in a highly competitive market, particularly as electric vehicles become the industry standard.
Jaguar’s bold reinvention has not been without controversy. Loyal customers, many of whom cherish the brand’s legacy, have criticized the pivot as a rejection of Jaguar’s storied history. The new minimalist logo, along with an advertising campaign showcasing models instead of vehicles, has drawn ire from traditionalists who see these changes as a betrayal of Jaguar’s essence.
Critics have also taken to social media to mock the brand’s transformation, with some deriding the pink car as a gimmick and others lamenting the disappearance of Jaguar’s signature elegance. However, industry experts quoted by The New York Times caution against dismissing the strategy prematurely. The concept car’s unveiling has generated substantial media buzz, and the move toward cutting-edge technology and luxury may ultimately resonate with the brand’s target demographic.
Glover remains steadfast in defending Jaguar’s approach. “We must act unconventionally to stand out,” he explained, emphasizing the crowded nature of today’s luxury market. By focusing on innovation and abandoning tradition, Jaguar aims to position itself as a leader in the electric vehicle space, a critical growth area for the industry.
For Lamborghini and Jaguar, the choice to unveil these designs during Art Basel Miami is a calculated move. As The New York Times noted, the fair’s unique blend of cultural sophistication and global appeal provides an ideal backdrop for these brands to redefine their identities. Lamborghini’s Urus SE aligns with Miami’s flair and ecological consciousness, while Jaguar’s pink concept car embraces the city’s audacious spirit and modernity.
Both vehicles underscore the evolving relationship between art, technology, and luxury. Whether through Lamborghini’s hybrid innovation or Jaguar’s radical reinvention, these brands are leveraging Miami Art Week to spark conversations about the future of automotive design—and to ensure they remain at the forefront of that future.
Art Basel Miami Beach has a knack for creating moments that transcend the art world and seep into pop culture. Among its most infamous contributions to the collective consciousness is Maurizio Cattelan’s “Comedian”, the now-iconic banana duct-taped to a wall. As reported by The New York Times, the artwork stirred both fascination and controversy at its debut during the 2019 edition of the fair. This year, the legacy of “Comedian” is being celebrated—albeit with a playful twist.
Cattelan’s “Comedian” became an instant sensation when it premiered at Art Basel Miami Beach, drawing crowds of onlookers and generating endless debate about the boundaries of art. Despite—or perhaps because of—its simplicity, the piece resonated deeply, blending humor, critique, and absurdity. Its cultural relevance endures; just last month, an edition of “Comedian” sold for a staggering $6.2 million at Sotheby’s in New York, as noted by The New York Times.
Now, Art Basel is leaning into the humor and notoriety surrounding the artwork by collaborating with Chiquita, the banana producer and distributor, to bring a touch of levity to this year’s fair. Two banana-sampling carts, one located in the North Lobby of the Miami Beach Convention Center and the other at the Miami Beach Botanical Gardens, will distribute free bananas to fairgoers. Each banana will come adorned with a special Chiquita Art Basel Miami Beach sticker, and a limited number of visitors can redeem these stickers for prizes.
de Bellis explained that this lighthearted homage reflects the fair’s ability to embrace humor without compromising artistic integrity. “We’re in on the joke,” de Bellis told The New York Times, highlighting Art Basel’s self-awareness and willingness to engage with its own mythology.
While the bananas may steal some of the spotlight, Art Basel Miami Beach offers a wealth of experiences tailored to every kind of visitor, from casual art enthusiasts to serious collectors.
General Admission:
Adult tickets are priced at $85 for a single-day entry, granting access to a dazzling array of galleries and installations.
Children under 12 can enter for just $10, ensuring that the next generation of art lovers has a chance to explore the fair.
Premium Experiences:
For those seeking a more curated and exclusive experience, premium ticket packages are available, ranging from $650 to $4,300. These packages include benefits such as:
Early admission to explore the fair before the crowds arrive.
Guided itineraries, offering tailored insights into the exhibitions and Miami’s vibrant art scene.
These options cater to the diverse audience that Art Basel attracts, ensuring that everyone, regardless of their level of engagement, can enjoy the event.
Art Basel Miami Beach has long established itself as a hub for groundbreaking art and global cultural discourse. However, as the banana-sampling initiative demonstrates, the fair also understands the value of humor and accessibility. The collaboration with Chiquita not only nods to one of the event’s most infamous moments but also invites visitors to engage with art in a lighthearted and approachable way.
As The New York Times notes, the inclusion of the banana carts highlights the fair’s ability to balance its highbrow reputation with a playful, self-referential spirit. Whether visitors come for the art, the bananas, or both, this year’s edition of Art Basel Miami Beach promises to deliver an unforgettable experience that captures the fair’s enduring vibrancy and wit.
BYU Quarterback Jake Retzlaff Partners with Manischewitz to Celebrate Jewish Heritage and Excellence
Edited by: TJVNews.com
In a groundbreaking moment for college athletics and Jewish culture, Jake Retzlaff, star quarterback at Brigham Young University (BYU), has entered into an historic sponsorship deal with Manischewitz, the iconic Jewish food brand. The partnership marks the company’s first-ever sports sponsorship and includes a special-edition matzah box featuring Retzlaff’s image—a rare honor that places him alongside cultural icons like Michael Jordan and Muhammad Ali, whose faces have graced similarly iconic products. As reported by the Jewish Telegraphic Agency (JTA), the deal transcends sports, celebrating Retzlaff’s Jewish identity and bridging his heritage with his collegiate football success.
At just 21 years old, Jake Retzlaff has already made a name for himself on and off the field. Growing up in Pomona, California, where he attended a Reform synagogue, Retzlaff is BYU’s first Jewish starting quarterback and one of only three Jewish students at the Mormon flagship university in Utah, according to the information in the JTA report. Despite the small Jewish community at BYU, Retzlaff has embraced his identity with pride, wearing a Star of David necklace around campus and even adopting the nickname “BY-Jew.”
His athletic achievements this past season were equally notable. Retzlaff threw 20 touchdowns, leading BYU to a 10-2 record in the Big-12 Conference and securing a top-25 national ranking. These accomplishments have resonated with fans of all backgrounds, elevating him as a symbol of excellence both as an athlete and as a proud representative of his Jewish faith.
Retzlaff’s partnership with Manischewitz was made possible through the NCAA’s Name, Image, Likeness (NIL) initiative, which allows college athletes to profit from their personal brands. The JTA report revealed that the deal includes a limited-edition run of special Retzlaff-branded matzah boxes, to be distributed in a giveaway, as well as social media and video content featuring Retzlaff sharing Jewish traditions and recipes.
“Manischewitz has always been part of my life,” Retzlaff shared in a press release. “I grew up with matzo with peanut butter as my favorite snack, and every Passover, my family and I made matzo pizza together. At Chanukah time, our tradition was making potato latkes,” he recalled, as was noted in the JTA report.
The collaboration will span the Jewish holiday season, running from Hanukkah through Passover, and will showcase Retzlaff’s Jewish upbringing and involvement in the local Jewish community in Provo, Utah. Notably, Retzlaff has participated in local Jewish events, including wrapping tefillin in BYU’s stadium and leading Provo’s first public Hanukkah menorah lighting.
Founded in 1888 in Cincinnati, Manischewitz is a household name synonymous with kosher food, particularly its matzah. The company’s decision to partner with Retzlaff reflects its mission to celebrate Jewish heritage and highlight figures who exemplify Jewish pride and excellence.
“We are so proud to welcome Jake officially into the Manischewitz family this holiday season,” said Shani Seidman, chief marketing officer of Kayco, Manischewitz’s parent company, as was reported by the JTA. “He is such an inspiration, and we are honored to support his exciting football career and dream. This partnership represents everything the brand aspires to be—celebrating our heritage and bringing awareness to Jewish food and excellence.”
For Retzlaff, the partnership is about more than football or personal branding—it’s about sharing his Jewish traditions and fostering connections in unexpected places. “Now, at BYU, I’m able to share these traditions with my teammates,” Retzlaff said, as per the information in the JTA report. “This partnership is about creating connections and celebrating Jewish pride in ways I never expected.”
Through this collaboration, Retzlaff is not only spotlighting Jewish culture at a predominantly Mormon institution but also showcasing the power of representation in sports. His efforts to share his faith have already had an impact, with his public embrace of Jewish rituals and traditions sparking conversations and fostering understanding within the BYU community.
As JTA highlighted that Retzlaff’s journey reflects the resilience and pride of the Jewish community. From his athletic achievements to his leadership in local Jewish events, he embodies the values Manischewitz seeks to celebrate. The limited-edition matzah boxes, combined with social media campaigns and recipes, aim to inspire a broader audience while paying homage to Jewish traditions.
This partnership marks a continuation of a proud legacy of Jewish athletes connecting with their heritage through sponsorships. From Sandy Koufax lending his name to the Tropicana Motel in 1962 to Sue Bird’s long-running endorsement deals with major brands, Jewish athletes have used their platforms to amplify their cultural identity, the JTA report indicated. Retzlaff, through this deal, joins their ranks as a prominent symbol of Jewish pride.
The Manischewitz-Retzlaff partnership was the brainchild of Jewish comedian Eitan Levine, known for creating Jewish sports content for his social media platforms. Levine, who had previously worked with Manischewitz on other projects, envisioned the collaboration after producing an Instagram reel about Retzlaff that garnered over a million views, the report on the JTA web site said. To Levine, the pairing of Retzlaff with Manischewitz felt like a shidduch, the Hebrew term for a romantic match.
“First of all, Manischewitz is Jewish, Jewish is Manischewitz,” Levine told JTA. “Food is one of the biggest parts of Judaism, arguably bigger than the Torah itself. When you think of Manischewitz, I immediately think of Jewish culture.”
Levine saw Retzlaff as the ideal ambassador for the brand. The quarterback’s accomplishments—a 10-win season, leading BYU to a bowl game, and thriving in Division I football as one of the few Jewish players—make him a trailblazer. His pride in his Jewish identity, symbolized by his Star of David necklace and active participation in Provo’s Jewish community, made him a natural fit for Manischewitz’s brand values.
Retzlaff’s story is one of breaking barriers and defying stereotypes. As Levine pointed out, Jewish football players are rare, especially at the Division I level. Yet Retzlaff has excelled at BYU, a predominantly Mormon institution, while remaining unapologetically and visibly Jewish. His presence at BYU, where he is one of just three Jewish students, has resonated deeply with fans and teammates alike.
Levine, a Yeshiva University graduate, highlighted the cultural parallels between BYU and Orthodox Jewish institutions. “There is an immediate understanding, or just like a comfortability, between these two groups,” Levine told the JTA, reflecting on his visit to BYU’s campus.
The deal also comes at a time when stories of Jewish positivity are particularly needed. “This past year has not exactly been great,” Levine noted, referencing the alarming rise in antisemitism. “Antisemitism has been spiking to insane degrees. And a lot of the stories that come out about the Jewish community—they’re so few and far between—are they positive? This is a purely positive story.”
Retzlaff’s sponsorship is rooted in the NCAA’s Name, Image, Likeness (NIL) initiative, which allows college athletes to profit from their personal brands. The deal includes limited-edition Manischewitz matzah boxes featuring Retzlaff’s likeness, distributed in giveaways, along with social media campaigns and video content highlighting Jewish recipes and traditions.
For Retzlaff, the deal is deeply personal. “Manischewitz has always been part of my life,” he shared with the JTA. “I grew up with matzo with peanut butter as my favorite snack, and every Passover, my family and I made matzo pizza together. At Chanukah time, our tradition was making potato latkes.”
The collaboration allows Retzlaff to share these traditions with his teammates and fans, creating connections that extend beyond football. “This partnership is about creating connections and celebrating Jewish pride in ways I never expected,” he said.
In a year marked by challenges for the Jewish community, Retzlaff’s story offers a much-needed dose of positivity. By partnering with Manischewitz, he not only highlights the richness of Jewish culture but also inspires pride and resilience. Levine summed up the significance of the partnership: “This is a purely positive story, being able to merge Manischewitz, which is a purely positive Jewish brand—no one hates Jewish food—and merging that with Jake, which is a purely positive Jewish story, it just makes complete sense.”
This historic NIL deal is not just a personal milestone for Retzlaff but a significant step forward for Jewish pride in sports and beyond.
After the MTA’s inspector general exposed yet another flagrant waste of taxpayer money, the NY Post reported on the latest glaring example of the authority’s egregious mismanagement of public funds. This time, the MTA squandered a staggering quarter of a billion dollars on station intercoms that became entirely ineffective due to thousands of prank calls—despite the fact that cell phones, already in the hands of every rider, could serve the same safety purpose at no additional cost to the MTA. Ironically, this amount of wasted taxpayer money is roughly equivalent to the first year’s projected revenue from the controversial congestion pricing tax, further highlighting the continuing extra cost to New Yorkers and the economic damage to the city from the MTA’s reckless spending.
Ironically, the Post‘s call for fiscal responsibility comes from a newspaper that has published countless articles exposing the MTA’s long history of squandering billions of taxpayer dollars over the years. While the Post and much of the New York City media routinely blame the MTA for poor service and waste, they overlook the deeper structural interference created by elected officials.
The Post headline condemning the wasteful subway intercom project places blame squarely on the MTA, but in doing so, the paper inadvertently falls into the gaslighting trap set more than half a century ago by Governor Nelson Rockefeller. As part of his reelection campaign, Rockefeller sought to deflect responsibility for the collapse of the once-thriving Long Island Railroad system by creating a bogus authority to deceive both the public and the press. This tactic allowed him to shift blame for declining transit service while secretly maintaining control over the system through board members he personally appointed.
The Post and the rest of New York City media are abdicating their journalistic duties by failing to inform the public that the MTA was deliberately created as a political shield for elected officials. This design protects them from accountability for the MTA’s poor transit service, wasteful spending, mounting debt, and disastrous urban planning. By overlooking this crucial context, the media allows the true culprits causing a meltdown of the city’s subways—elected officials—to escape a political price, while continuing to mismanage the city’s transit system.
Elected officials have turned the MTA into a tool for advancing their own political agendas—funding vanity projects, keeping state and city subsidies artificially low, and striking lucrative wage deals with politically powerful unions that block necessary work rule reforms. In pursuit of these goals, they have transformed the MTA into a debt-ridden “borrowing junkie,” relying on ever-expanding loans and revenue schemes like congestion pricing to stay afloat. In 2010, the MTA faced a budget deficit of $400 million. Today, 15 years later, that deficit has exploded to nearly $100 billion, a staggering rise that underscores the authority’s worsening financial instability and years of political mismanagement. Despite a 2022 audit from NYS Comptroller Thomas DiNapoli, which warned of the dangers of the MTA’s growing dependence on leveraged borrowing, both the media and elected officials have turned a blind eye to Albany borrowing scheme, allowing this reckless path to continue unchecked.
Like any addict, the MTA is in desperate need of an intervention. Unfortunately, the media’s failure to provide historical context and their lack of understanding about the structural issues behind the MTA makes it unlikely that they will pressure elected officials to reform the agency. Without this critical awareness, the media is failing to equip voters with the information necessary to elect leaders who will either overhaul the MTA or dismantle it altogether.
Astonishingly, the only realistic hope for rescuing the subway and revitalizing the city may rest with President Trump, who has already expressed a keen interest in addressing New York City’s transit crisis. His leadership could spark a groundbreaking shift, bringing forth bold, innovative solutions like Elon Musk’s proposed DOGE takeover to tackle the MTA’s chronic mismanagement, waste, and overspending. With Musk’s expertise in cutting-edge technologies—such as the driverless cabs already operating in San Francisco—it’s entirely plausible that New York’s subway system could see driverless trains before the end of this decade. Additionally, a state-of-the-art closed-circuit video system could be implemented to combat crime, homelessness, and mental illness on the subways (see footnote 2), ushering in a transformative new era for the city’s transportation infrastructure and setting a global standard for innovation and safety on NYC subways.
How New York’s Elected Officials in the 1960s Created the Gaslighting MTA to Shield Politicians, the Real Transportation Decision-Makers, From Blame
In 1965, facing a tough reelection battle partly fueled by the collapse of Long Island Rail Road (LIRR) service, Governor Nelson Rockefeller successfully pushed the New York State Legislature to create the MTA. This new public authority was tasked with purchasing, operating, and modernizing the LIRR. Rockefeller, who came from a family skilled in creating monopolies, deftly outmaneuvered both Mayor John Lindsay and Robert Moses, head of the Triborough Bridge and Tunnel Authority, who both sought to retain city control over its transit system. By 1968, Rockefeller pushed the state lawmakers to place the city’s subways and buses under MTA control, a move that served his political interests but set the stage for decades of mismanagement. What was initially conceived as a political maneuver to secure Rockefeller’s reelection has since evolved into a bloated, inefficient bureaucracy—an unaccountable “piggy bank” controlled by elected officials, fostering waste, mismanagement, and bankruptcy. The MTA has caused significant economic harm to the NYC economy, with residents and tourists alike avoiding the subway due to out-of-control crime. If the MTA’s Ponzi scheme congestion pricing moves forward, it threatens to deliver a final, crippling blow to the city’s already fragile economy, which has already seen a half a million taxpayers’ leave the city along with a trillion in Wall Street businesses.
Brodsky: The Last Elected Official to Fight for MTA Reform—A Legacy Forgotten By Today’s Media
In the early 2000s, the late Assemblyman Richard Brodsky, often hailed as Albany’s “Conscience” by the New York Times, was the last elected official to make a serious push for reforming the MTA. Known for his relentless advocacy and tireless efforts to expose the rampant abuses of power by state authorities, Brodsky sought to bring accountability to the MTA, by demanding greater oversight of its budget and curbing the agency’s habitual overspending on development projects. He believed that public authorities like the MTA had become metaphorical piñatas, continuously battered by the public and media, while elected officials, unions, bond dealers, and contractors benefited or profited with the unaccountable authority at the public’s expense. Brodsky’s work was an attempt, a call for reforms that would place accountability back where it belonged—on the shoulders of elected officials, unfortunately failed.
Yet, despite his courageous leadership efforts, no one today seems to know about or care about Brodsky’s attempts to amend the Public Authority Act of 1921. This law, which shields elected officials from direct responsibility, allows them to appoint board members who oversee the MTA and state’s other nineteen public authorities, thus enabling them to avoid blame for the MTA’s persistent failures. Brodsky’s push to dismantle these structural protections and hold decision-makers accountable for transportation has largely been forgotten by the current leaders of the press, City Hall and Albany.
The true culprit behind the MTA’s financial crisis is not the powerless, transient leaders of the agency—often appointed more for their public relations skills than for their ability to manage a complex transit system—but the elected officials who use them as puppets to deflect responsibility. Today, despite the half-a-billion dollars expected to be generated by congestion pricing, the MTA’s crippling $100 billion debt remains largely unaddressed, and several fare hikes are already on the horizon during the years. Brodsky’s warnings about the long-term consequences of this political structure have gone unheeded, the lack of political transparency that Brodsky warned about has been a major factor in causing the subway’s crisis and the city’s weakened economy.
When Brodsky left office in 2010, the MTA was dealing with a projected budget deficit of $400 million, which it managed through deferrals and reserves. However, with the decline of traditional news media, the MTA has spiraled into deeper financial instability without the knowledge or understanding of the public. Over the past two decades, elected officials borrowed tens of billions of dollars to fund operating expenses, over-budgeted vanity projects, and politically motivated labor agreements, pushing the MTA to the brink. The New York Times reported in 2017 that “efforts to add new lines have been hampered by generous agreements with politically powerful labor unions and pay to play private contractors that have inflated construction costs to five times the international average.” These reckless decisions were compounded by the failure of the media to pressure elected officials to properly use new technology in the trains (see Footnote #2) to reduce crime, homelessness, and mental illness, all of which are making the subways unusable to many New Yorkers and tourists.
The COVID-19 pandemic further exacerbated the MTA’s woes, with ridership plummeting by 30-40% due to the shift toward remote. The result of these compounded missteps, effective crime fighting, mismanagement, and out of control borrowing, is not only causing the financial collapse of the MTA, which will further hurt its ability to effectively serve the public, exacerbating an already fragile city economy.
Political Neglect and Media Complicity Have Devastated the Subways and the NYC’s Economy
The lack of political accountability, compounded by the media’s failure to place blame for the MTA’s melt down, has allowed decades of mismanagement and unchecked spending to continue. By failing to expose the structural flaws within the MTA, the media has inadvertently facilitated a narrative controlled by politicians who manipulate public perception for their own gain. Elected officials, aware of the public’s limited understanding of who controls the MTA, have skillfully used the agency’s failures—such as homelessness, crime, and flooding in the subway—as convenient talking points during reelection campaigns attacking the MTA. By shifting blame onto the MTA, they deflect responsibility for their own role in the system’s decline, all while scoring political points.
Elected officials are more concerned with securing reelection than taking responsibility for the subway system’s dysfunction, and have cultivated a culture of mismanagement at the MTA. The agency’s chairman, chosen more for his public relations acumen than his expertise in urban planning or transportation, embodies this culture of incompetence and waste. Decades of reckless spending, corruption, and a continuous cycle of borrowing have turned the MTA’s subway system—once the healthy lifeblood of New York City—into a toxic dump. The ongoing crises of crime, mismanagement, and homelessness in the subway system are not just undermining public safety but are also inflicting severe damage to the city’s economy. Empty office buildings, a decline in tourism, and the shuttering of restaurants, stores, and Broadway shows all serve as stark reminders of the broader economic toll caused by the MTA’s failures. The implementation of congestion pricing will only accelerate this decline, driving more businesses and residents out of the city and increasing costs for those who remain.
New York’s elected officials have severely damaged the subway system, which is essential to the city’s economy and the daily functioning of its residents. The subway provides crucial access to jobs, schools, healthcare, and cultural hubs across all five boroughs, serving as the backbone of the city’s workforce—particularly for those in lower-income and essential roles. It is a vital engine for commerce, tourism, and business, driving the local economy and ensuring New York City’s continued global competitiveness. The subway’s ability to move people swiftly and safely is indispensable to maintaining the city’s reputation as a dynamic, fast-paced urban center. Without a fully functional transit system, the city’s vibrancy, productivity, and capacity to attract and retain businesses are all at risk, threatening the very foundation of NYC economic growth and competitive edge.
Footnote 1:
Bad Press: Public Blames the MTA for Costly Over-Budgeted Projects, but the Real Culprits Are Elected Officials
The army of press agents on the MTA’s payroll is not focused on addressing the public’s concerns about service failures. Instead, their role is to deflect attention from the agency’s rampant overspending, mismanagement, and poor planning. With strategic, distraction-heavy press releases announcing new programs, they act as a shield for the true decision-makers behind the MTA’s crisis: the elected officials. A 2015 New York Post article detailing the cost overruns on the reconstruction of the Fulton Street subway station, which saw its price tag nearly double to $1.4 billion and its opening delayed by seven years, made no mention of the elected officials who were responsible. Similarly, a 2024 Post article highlighted crime and vacant stores at the same billion-dollar station, yet again failed to point the finger at the politicians accountable. According to WNYC, none of the elected officials present at the Fulton Station opening in 2014—including Congressman Jerry Nadler, Senator Charles Schumer, and the late Assembly Speaker Sheldon Silver—were willing to comment on the MTA’s massive budget deficit in its proposed 2015-2019 capital budget plan. Their silence speaks volumes, revealing the political collusion, amplified by the press, that continues to protect elected officials from accountability for the MTA’s wasteful practices.
The press rarely questions elected officials about the colossal overspending by the MTA, opting instead to blame a faux authority created by politicians to shield themselves from scrutiny. Take, for instance, the Long Island Rail Road (LIRR) extension to Grand Central Station. Originally slated to open in 2009 at a cost of $3.4 billion, the project ballooned to an astounding $13 billion for just two miles of track. Similarly, the 7-train extension to Hudson Yards has become the world’s most expensive subway track at $2.5 billion per mile, while the 24-block extension of the 2nd Avenue Subway is costing $4.4 billion, averaging $2.5 billion per mile. Meanwhile, the MTA wasted $31 million building an unnecessary extra staircase at Times Square and squandered $4 billion remaking the Fulton Street Station in Manhattan. Former Comptroller Stringer’s audit revealed pervasive mismanagement and waste in the MTA’s Access-A-Ride program, leaving tens of thousands of New Yorkers stranded, with manipulated pick-up and drop-off times designed to present a false picture of performance. Meanwhile, billions were spent on lavish station makeovers and vanity projects that did nothing to improve service or reliability, all while the trains continued to rely on a 1930s-era signaling system with deteriorating, cloth-covered cables, as exposed by The New York Times in 2017.
Footnote 2:
MTA’s Camera System Failure: Why New Technology and Leadership Are Essential to Save the Subways and NYC
The MTA continues to struggle with its outdated and inefficient camera system, a failure that has contributed to rising crime, homelessness, and attacks by the mentally ill across the subway system, preventing the city’s economic recovery. Despite spending billions since the1990s, the MTA has yet to implement a fully functional closed-circuit television (CCTV) system in the subways, which could play a critical role in preventing crime, homelessness, and removing those suffering from mental illness, ensuring public safety. Currently, most of MTA’s cameras only connect to tape recorders, viewing footage from those cameras requires an extra step—leading to inefficiencies, extra costs, and wasted man hours, that hinder law enforcement response.
In 2019 alone, the MTA received over 12,000 requests for video footage, requiring more than 53,000 man-hours to process. This bureaucratic backlog underscores the incompetence of the current system, which often fails to provide real-time support during emergencies. Tragically, this was evident during the 2022 shooting by Frank James on the N train at the Sunset Park 36th Street station, where the cameras, if working properly, could have potentially prevented or mitigated the crisis. Instead, they provided only post-crime evidence on other N line stations (the cameras at 36th Street were broken), after ten people were shot and over a dozen others injured.
The MTA’s failure to modernize its camera system contrasts sharply with the success of the London subway system, which has had a live CCTV network in place for over 20 years. Installed initially to catch terrorists who blew up their subway system in 2005. London’s system now monitors virtually every station and train in real time, enabling authorities to stop crimes before they occur. This proactive approach, driven by a robust, live-connected CCTV network, has greatly contributed to reducing crime and terrorism on London’s transit system.
Given the rapid advances in technology and the growing threat to public safety, it’s time for the MTA to embrace a similar system. The new NYPD Police Commissioner, Jesica Tish, who used to work with the NYPD on technology, should spearhead a modern, live CCTV system for the city’s subway that can connect to every NYPD officer’s smartphone. The NYPD close circuit camera network, if far advanced, of the MTAs can already connect pictures of criminals right after they commit their latest crime. The MTA should also consider reaching out to tech innovators like Elon Musk to take control of NYC’s subway camera network, his star link satellite system can connect all the station cameras without costly hard wiring and install cameras on every train with live, closed-circuit network system that can be monitored in a new COMPSTAT Transit NYPD headquarters.
With the right leadership and technological upgrades, New York City’s subway system could finally match the capabilities of global counterparts like London, addressing both the escalating safety crisis and rampant fare evasion. Fare evasion alone costs the MTA an estimated $119 million annually from turnstile jumping, not to mention the billions lost as New Yorkers are increasingly afraid to use the subway due to safety concerns. By implementing closed-circuit TV (CCTV) systems, the MTA could enable real-time monitoring that directs police and mental health professionals to individuals in crisis or those committing crimes, ensuring a faster, more efficient response. Additionally, facial recognition technology could automatically identify fare evaders, eliminating the need for costly guards at turnstiles and freeing up valuable police resources. These high-tech advancements would not only reduce crime but also improve the overall experience for riders, reopening the subway system to over a million New Yorkers and tourists who need and want to use the transit system.
Jaguar’s Barbie-Pink EV Unveiled During Miami Art Week; Hits a Speed Bump with Gen Z
Edited by: TJVNews.com
Jaguar’s attempt to revitalize its image and appeal to younger audiences with its new pink electric vehicle has sparked widespread ridicule rather than the admiration the company had hoped for. As The New York Post reported on Tuesday, the bold rebranding effort aimed at Generation Z has drawn criticism, with many deriding the concept car as “cheap” and likening it to a “pink Batmobile.”
The controversial vehicle in question is the Jaguar Type 00, also called the Design Vision Concept, a futuristic electric car unveiled during Miami Art Week. Photos of the $126,519.50 vehicle were leaked online before its official debut, stirring significant online discourse, according to the information provided in The New York Post report.
The car’s design is a radical departure from Jaguar’s classic luxury aesthetics. With a massive bonnet, slatted rectangular grilles, no rear window, and a divisive new round logo replacing the iconic leaping Jaguar, the concept car’s most striking feature is its vibrant “Miami pink” exterior. The design evokes comparisons to the boxy Corvette seen in the Barbie movie and also comes in metallic blue.
Jaguar Land Rover’s chief creative officer Gerry McGovern called the vehicle “a taste of things to come,” positioning the flamboyant EV as part of a broader effort to attract younger, more progressive audiences, as was noted in The New York Post report. This aligns with Jaguar’s recent “complete reset,” which Managing Director Rawdon Glover described as an initiative to “inspire a new generation.”
Despite Jaguar’s ambitions, the flashy redesign has largely flopped among the younger demographic it sought to woo. The New York Post report indicated that the car has been heavily mocked on social media, with detractors criticizing both the vehicle itself and the broader rebranding strategy.
🇬🇧 Jaguar’s latest move?
A “Barbie pink” electric car. 🚗💅 A bold rebrand or a misstep?
Their 102 years of elegance traded for trending colors.
One commentator on X (formerly Twitter) dismissed the effort, saying, “If you thought the Jaguar rebrand was peak cringe, you gotta look at their new car.” Another user, TikTokker Fionnuala, compared the Type 00 to Muck, the red digger from the children’s TV show Bob the Builder. She quipped, “Now you’re telling me Jaguar had all that faff, all that rebrand, all that nonsense for a car that looks like Muck, and to be honest I’d rather [have] Muck.”
Jaguar has unveiled a “Barbie pink” electric car in a misguided attempt at reinvention. A 102-year legacy of British elegance and innovation tarnished by a single woke rebrand. Once iconic, now unrecognisable. This isn’t creativity or boldness—it’s pandering. What happened to… pic.twitter.com/vWa9eAztM4
Even car enthusiasts expressed their disappointment. Gearhead Luke Malpas lamented in a TikTok clip, “What on Earth is Jaguar thinking? They’ve gone from being a staple of British engineering, creating some of the best cars we’ve seen on the road, to this.”
Jaguar’s broader rebranding campaign, which includes advertising featuring androgynous models in bold, non-traditional outfits—and notably, no cars—has also drawn sharp criticism. The New York Post report revealed that some commentators view the effort as misguided and overly focused on “woke” messaging rather than quality engineering.
Critics on social media were quick to voice their disapproval of the brand’s new direction. Podcaster Jay Anderson tweeted, “Go woke, you know the rest,” while journalist Jordan Schachtel added, “Go DEI go absolutely broke. This is a mockery of the Jaguar brand.”
It’s @Jaguar’s new queer car.
It’s designed like a bumper car inside.
Those pedals are comical.
I like the matte finish but that’s not new or innovative.
It’s PINK. Who wants to buy a pink car?
Elle Woods and Barbie ? They’re fictional.
Critics also noted the irony of Jaguar’s “Copy Nothing” tagline, suggesting the Type 00 concept borrows elements from a host of storied brands. Among the most scathing was Canopy Capital Group CEO Eric Golden, who took to X (formerly Twitter) to deride the design: “Copy nothing except Rolls Royce, Bentley, and then put a Studebaker radiator on the back of the car.”
Nope, nope, and nope again‼️
And Jaguar was always my favourite car design.
I identify as female (🤣🤣🤣🤣) and there is NO WAY I’d purchase a jaguar now….let alone a PINK jaguar that looks like a Mattel toy car for Barbie!
The comparisons didn’t end there. One commenter labeled the pink EV a “Batmobile,” lamenting its departure from Jaguar’s iconic “macho” vehicles of the past. The New York Post report explained that that the criticisms stem from the car’s design choices, which many argue stray too far from Jaguar’s legacy of sleek and muscular luxury.
Beyond the aesthetics, Jaguar’s rebranding strategy and its perceived attempt to attract a younger, more progressive audience have sparked concerns about alienating the company’s traditional buyers. The report in The New York Post said that Lulu Cheng Meservey, a board member at Shopify, quipped on X: “Someone on the Jaguar marketing team has greatly overestimated the size of the ‘vegan barista who wants to roll up to the drum circle in a luxury sports car’ market, I fear.”
Similarly, Laurence Fox, founder of the British Reclaim Party, criticized Jaguar for targeting what he called an overly niche demographic. He speculated that Jaguar’s echo chamber had misled the company into designing a vehicle for a market that “may not exist.”
The criticism wasn’t limited to Jaguar’s branding approach. Many have taken issue with the car’s physical design, calling it impractical and uninspired. One user on X called it a “fugly monstrosity,” questioning the oversized nose—a design choice traditionally used to house internal combustion engines—which seemed out of place on an electric vehicle.
“The switch to electric gave huge potential for a radical redesign,” the commenter argued, “but they had so little imagination that they gave it a huge view-restricting nose to house a non-existent engine.” The New York Post report noted that these critiques draw attention to the missed opportunities for innovation in an era where EVs are challenging traditional automotive design.
Despite the backlash, some enthusiasts have defended the Type 00. The New York Post report cited “Top Gear” host Rory Reid, who praised the car for breaking Jaguar’s recent streak of uninspired models. “This is the most ‘I would actually look twice at this’ Jag since … forever,” Reid declared. He even embraced the polarizing color, saying, “I’d even have it in pink for the haters.”
McGovern also stood by the design, emphasizing the importance of making a bold statement. “Getting attention in today’s world is not always easy,” McGovern remarked. The report indicated that his belief that the car’s divisive nature has at least succeeded in sparking conversation about Jaguar’s future.
Jaguar’s foray into a more radical, EV-focused design and branding strategy is a high-stakes move for the company. While the Type 00 has generated significant buzz, much of it has been negative, raising questions about whether the gamble will pay off.
The automaker is attempting to walk a fine line—appealing to a new generation of consumers while retaining its status as a symbol of British luxury and engineering. Whether Jaguar can reconcile these goals remains uncertain, but one thing is clear: the Type 00 has put the brand squarely in the spotlight, for better or worse.
Monica Crowley Tapped by Trump for Key Role in State Department Leadership
By: Fern Sidman
Monica Crowley, a seasoned journalist, political commentator, and ardent supporter of Israel, has been nominated by President-elect Donald Trump for the prestigious role of Ambassador, Assistant Secretary of State, and Chief of Protocol. In this position, she will oversee major U.S.-hosted events such as America’s 250th Independence Day anniversary in 2026, the FIFA World Cup in the same year, and the Los Angeles Olympic Games in 2028. Trump’s announcement calls attention to Crowley’s extensive experience in public relations, media, and diplomacy, making her a strong choice for this critical role within the State Department.
Monica Crowley’s career began with a notable position as a foreign policy assistant to former President Richard Nixon in his post-presidency years, where she gained insight into international relations and strategic communication. Her experience with Nixon became the foundation for her first bestseller, Nixon in Winter, which detailed her interactions with the former president and provided a unique perspective on American foreign policy.
Crowley later became a household name as a commentator on Fox News, where her articulate analysis and sharp wit made her a prominent voice in discussions on national security, foreign affairs, and U.S.-Israel relations. Over the years, she developed a reputation for her unwavering support of Israel, often highlighting its importance as a U.S. ally in the Middle East. Crowley consistently emphasized the shared democratic values and strategic partnership between the two nations, advocating for stronger U.S. support in the face of global criticism and regional instability.
Her commentary frequently highlighted the shared security concerns between the U.S. and Israel, particularly in countering threats from Iran and its proxies. Crowley has also been a vocal proponent of the Abraham Accords, praising the historic normalization agreements as a testament to American diplomacy and a potential pathway to regional peace.
Her staunch support for Israel has earned her accolades from pro-Israel organizations and policymakers alike. Crowley’s commitment to this cause is expected to continue in her new role, where she will represent the U.S. at high-profile diplomatic events, many of which may involve fostering international cooperation on issues critical to Israel’s security and prosperity.
Crowley’s career in public service began during Trump’s first term, when she served as Assistant Secretary of the Treasury for Public Affairs. In this role, she was responsible for communicating the administration’s economic policies and played a significant part in promoting Trump’s landmark tax reforms. Trump praised her for doing “an incredible job” in this capacity, citing her ability to navigate complex political landscapes and deliver clear, impactful messaging.
Her nomination to the National Security Council in 2017 was met with controversy over allegations of plagiarism in her doctoral dissertation and a 2012 book. Crowley strongly denied the accusations, describing them as a “political hit job,” and later revised portions of her dissertation at Columbia University. Despite stepping away from the National Security Council role, Crowley demonstrated resilience, returning to public service and earning recognition for her accomplishments in the Treasury Department.
As Ambassador, Assistant Secretary of State, and Chief of Protocol, Crowley’s responsibilities will extend beyond event coordination to include hosting foreign dignitaries and managing diplomatic protocols. Her role will place her at the forefront of representing American interests on the global stage, a challenge that aligns well with her expertise in media, diplomacy, and foreign affairs.
President-elect Trump expressed confidence in her abilities, stating on Truth Social: “She will be an extraordinary Representative of our Country. Congratulations Monica!” The position requires Senate confirmation, and Crowley’s track record in both journalism and public service is likely to feature prominently in the confirmation process.
Various media outlets have highlighted Crowley’s enduring influence in conservative circles and her ability to navigate challenging political landscapes. With her nomination, Crowley is set to continue her legacy as a prominent voice in American public life, championing diplomacy, patriotism, and unwavering support for key allies like Israel.
Grandfather Fends Off Rolex Thieves with Bag of Takeout Food in Dramatic London Incident
Edited by: Fern Sidman
A shocking robbery attempt in central London became a tale of courage when Christopher Harris, a grandfather, fended off two determined thieves using nothing but his takeout food bags. The dramatic altercation, which took place in July of last year, unfolded as Mr. Harris was targeted for his $20,000 Rolex Yacht-Master watch while walking back to his rented Airbnb. The Standard of the UK has closely reported on the incident, revealing the bravery of Mr. Harris and the subsequent sentencing of the attackers.
The report in The Standard of the UK detailed how the incident began as Mr. Harris picked up food from the Queen of Sheba restaurant in Paddington. Unbeknownst to him, one of the muggers, Amine Bentaib, was lurking outside the eatery, carefully observing his every move. CCTV footage captured Bentaib shadowing Mr. Harris as he walked back to his Airbnb on Bouverie Place, where he was staying with family.
As Mr. Harris neared his destination, Bentaib struck, grabbing the victim’s wrist in an attempt to wrest the valuable Rolex from him. Moments later, his accomplice, Rayan Belhadj, joined the attack, escalating the confrontation into a violent street struggle.
In a vivid account provided by The Standard of the UK, Mr. Harris fought back with remarkable bravery, using his bags of takeout food as improvised weapons. Despite the chaotic scuffle, during which his shirt was torn, Mr. Harris managed to fend off the attackers, forcing them to flee empty-handed. The ordeal left Mr. Harris physically unharmed but emotionally shaken.
The case was brought before Southwark Crown Court, where both Bentaib and Belhadj faced justice. On Monday, Bentaib was sentenced to three years and nine months in prison, while Belhadj had already begun serving a three-year sentence for his role in the crime. The report in The Standard of the UK indicated that the judge, Adam Hiddleston, took a hardline stance against such offenses, describing watch muggings as “an absolute scourge on London.”
In his remarks, Judge Hiddleston condemned Bentaib’s actions, highlighting his history of similar offenses, including a previous jail term of two-and-a-half years for attempting to steal a £1 million Rolex. “This kind of offense seems to be increasing and attracts people like you who think it’s a way of making easy money,” the judge said, according to the information provided in The Standard of the UK report. He added that such crimes have a severe impact on victims’ well-being.
The Standard of the UK report called attention to the fact that high-value watch robberies have become a growing problem in London, with criminals increasingly targeting luxury items such as Rolexes. The judge’s stern words reflect the need for harsher penalties to deter such crimes and protect innocent members of the public.
Mr. Harris, according to the court, has been left “extremely shaken” by the ordeal. He is now apprehensive and anxious in public spaces, a stark reminder of the psychological toll such incidents can have on victims.
As reported by The Standard of the UK, Judge Hiddleston made it clear that the judiciary would continue to impose “lengthy prison sentences” on individuals who engage in such crimes. His ruling sends a strong message to would-be thieves: offenses of this nature will not be tolerated.
Judge Hiddleston speculated that Bentaib either spotted the luxury watch himself or was informed about it by an accomplice. The Standard of the UK report indicated that Bentaib waited patiently outside the restaurant until Mr. Harris emerged, then followed him to the door of his Airbnb. It was there, just outside the property, that Bentaib, along with his accomplice Rayan Belhadj, launched their attack.
In his remarks during sentencing, the judge praised Mr. Harris for his courage, stating: “He got the better of the both of you. You failed to get the watch off his wrist and then you made off.”
Bentaib was sentenced to three years and nine months in prison. Additionally, The Standard of the UK revealed that he now faces deportation while serving his sentence. His accomplice, Belhadj, is already serving a three-year sentence for his role in the crime.
Detective Constable Alex Earley of the Metropolitan Police, who led the investigation, spoke to The Standard of the UK about the gravity of the crime. “Belhadj and Bentaib stalked and targeted the victim, carrying out this appalling incident in broad daylight,” DC Earley said. He commended Mr. Harris’s bravery in resisting the attackers and cooperating with the investigation.
DC Earley also highlighted the importance of reporting such crimes promptly. “This case shows the importance of reporting a robbery as soon as it happens. I urge anyone who may sadly be the victim of a similar incident, or sees a robbery taking place, to call the police by dialing 999 immediately. This makes a significant impact on our ability to catch those responsible and prevent them from causing any further harm.”
The swift sentencing of Bentaib and Belhadj sends a strong message that such crimes will not be tolerated. As The Standard of the UK highlighted, the bravery of Mr. Harris, combined with effective police work, ensured that the perpetrators were held accountable. This case serves as a reminder of the importance of vigilance, community support, and the legal system’s role in maintaining public safety.
Sean Hannity Acquires $23.5M Waterfront Estate in Florida’s Exclusive Manalapan Community
Edited by: Fern Sidman
Newsmax reported on Wednesday that Fox News anchor Sean Hannity has expanded his real estate portfolio with the acquisition of a stunning waterfront estate in Manalapan, Florida. Purchased for $23.5 million, this property boasts a coveted location in the affluent Palm Beach County community, offering frontage on both the Atlantic Ocean and the Intracoastal Waterway. According to the report on the Newsmax website, the transaction sheds light on Hannity’s recent transition from New York to Florida, aligning with his plans to broadcast his shows from West Palm Beach.
The estate, acquired through a limited liability company, was originally listed for $29 million in February 2024, but its asking price was reduced to $25.95 million in October, as per the information provided in the Newsmax report. Ultimately, Hannity closed the deal for $23.5 million, significantly less than the original listing price. The report on Newsmax highlighted that the seller, who also purchased the property via an LLC for $18 million in 2021, remains unidentified. However, documents related to the sale link the LLC’s president, Tom Del Bosco, to Alden Global Capital, a major hedge fund.
Spanning two acres of prime waterfront property, Hannity’s new estate is an impressive retreat built in the 1990s. According to the information contained in the Newsmax report, the 12,000-square-foot residence features eight bedrooms, 10 full bathrooms, and one half-bath. Notable amenities include a wine room, a rooftop observation terrace, a large dock suitable for yachts, and a luxurious outdoor pool. The property exemplifies the grandeur associated with Manalapan’s real estate market, where homes along the same stretch are listed for up to $95 million.
The Newsmax report indicated that Manalapan has emerged as a magnet for affluent buyers, spurred by spillover demand from neighboring Palm Beach. Hannity joins a roster of prominent figures investing in the area, including Oracle co-founder Larry Ellison, who purchased a record-setting $173 million oceanfront estate in 2022. Despite this influx of high-profile buyers, many older properties in the area have been razed in favor of modern, state-of-the-art estates, reflecting evolving tastes in luxury real estate.
Sean Hannity’s latest purchase aligns with his earlier decision to relocate from New York to Florida. Newsmax reported that Hannity now records his Fox News program, Hannity, and his radio show, The Sean Hannity Show, from studios in West Palm Beach. In 2021, Hannity bolstered his presence in Florida with the $5.3 million purchase of a Palm Beach condo. That same year, a fan purchased his waterfront estate in Oyster Bay, New York, for $12.7 million, signaling his departure from the Northeast.
Hannity’s acquisition reflects a broader trend of high-profile individuals investing in Florida real estate. As the Newsmax report said, Manalapan’s appeal lies in its exclusivity, breathtaking ocean views, and proximity to cultural and business hubs such as the tony Palm Beach area. The town’s blend of privacy and luxury makes it an attractive destination for the ultra-wealthy, ensuring its real estate market remains robust.
Why Should Israel Care About Syria? A Strategic Imperative
By: Fern Sidman
The ongoing conflict in Syria presents significant implications for Israel’s security and regional strategy. As the Syrian civil war continues to unfold, recent advances by Sunni rebel forces against the Assad regime have the potential to reshape the balance of power in the Middle East. Israel has a vested interest in closely monitoring these developments, as they could either enhance its strategic position or introduce new threats.
For years, Iran has pursued a “Shia Crescent” strategy to consolidate its influence across the Middle East. This geopolitical framework stretches from Iran through Iraq and Syria to Lebanon, with Hezbollah serving as a pivotal force against Israel. Syria, under the Assad regime, has been a cornerstone of this strategy, providing Iran with a vital corridor to arm Hezbollah and deploy militias near Israel’s northern border, including the Golan Heights.
The Assad regime’s cooperation with Iran allows the transfer of advanced weaponry to Hezbollah, strengthening the group’s capacity to target Israeli civilians and infrastructure. Additionally, Iranian-backed militias stationed in Syria pose a direct and immediate threat to Israeli sovereignty, creating a volatile front that requires constant vigilance.
Recent gains by Sunni rebel groups in Syria offer a rare opportunity to disrupt Iran’s strategic ambitions. If these forces succeed in ousting Shiite elements from Syria, the “Shia Crescent” could be severed, significantly weakening Iran’s regional influence. Such a development would isolate Lebanon, reduce Hezbollah’s access to advanced weaponry, and diminish the Iranian threat along Israel’s northern border.
While the Sunni rebels are not allies of Israel, their opposition to Iran and its proxies aligns with Israeli interests. A fractured Shia Crescent would force Hezbollah to operate under constrained conditions, potentially reducing its capacity to launch large-scale attacks against Israel. This shift could also lead to a reconfiguration of power dynamics in the region, creating opportunities for Israel to strengthen its security posture.
The potential weakening of the Iran-Hezbollah axis presents several advantages for Israel. Severing Iran’s supply lines to Hezbollah could significantly reduce the group’s military capabilities, offering Israel a respite from constant security threats along its northern border.
A rebel victory in Syria would isolate Iran, curtailing its ability to project power and influence in the Levant. This would not only benefit Israel but also align with the interests of other regional players, such as Saudi Arabia and the Gulf states.
The removal of Iranian militias and proxies from southern Syria would decrease the likelihood of cross-border skirmishes and terrorist activity in the Golan Heights, providing greater stability for Israel.
A weakened Iran would enable Israel to enhance its diplomatic efforts and strengthen alliances with Sunni Arab nations, further consolidating its position in the region.
Despite the potential benefits, the situation in Syria remains highly complex and fluid. Sunni rebel factions are diverse and often fractured, with some harboring extremist ideologies that could pose new risks to Israel. Additionally, the prospect of a power vacuum in Syria could lead to prolonged instability, allowing other hostile actors, such as ISIS remnants, to resurface.
Israel must also consider the potential for unintended consequences. While the weakening of Iran and Hezbollah is desirable, an empowered Sunni insurgency could escalate into a new threat. The Israeli government must carefully navigate these dynamics, balancing short-term tactical gains against long-term strategic stability.
Israel cannot afford to remain indifferent to the developments in Syria. The potential to disrupt Iran’s Shia Crescent and weaken Hezbollah represents a significant opportunity to enhance national security and reshape the regional balance of power. However, the complexity of the Syrian conflict necessitates a cautious and calculated approach.
By closely monitoring the situation and aligning its policies with evolving realities, Israel can maximize the benefits of a shifting landscape while mitigating potential risks. The stakes are high, but with strategic foresight, Israel can turn the turmoil in Syria into an advantage that strengthens its position in the Middle East.
Former SS Guard Gregor Formanek Faces Justice for Sachsenhausen Atrocities
Edited by: Fern Sidman
In a pivotal decision, the Frankfurt Higher Regional Court has reversed a prior ruling that declared Gregor Formanek, a 100-year-old former SS guard, unfit for trial. According to a report on Tuesday in The Mirror of the UK, this reversal clears the way for Formanek to face trial in early 2025 for his alleged involvement in the brutal murders of over 3,300 prisoners at the Sachsenhausen concentration camp during World War II.
The Mirror of the UK reported that Formanek, born in Romania to a German-speaking tailor, joined the SS in 1943 and served in the notorious Sachsenhausen battalion. Sachsenhausen, established in 1936, was a prototype for Hitler’s extermination camps, infamous for its gas chambers and grotesque medical experiments. Over 200,000 prisoners passed through its gates, and tens of thousands perished under the horrifying conditions meticulously documented by Nazi authorities.
As detailed by The Mirror of the UK, Formanek was captured by the Soviet Red Army after the war and sentenced to 25 years in prison. However, he served only a decade before his release, subsequently leading a quiet life as a porter. In later years, Formanek resided comfortably in a £400,000 apartment near Frankfurt with his wife, a stark contrast to the suffering inflicted on his alleged victims.
In May 2024, The Mirror of the UK revealed that the Hanau Regional Court excused Formanek from trial, citing medical evidence that he was permanently unfit to stand trial. However, this decision faced backlash from Holocaust survivors and Nazi hunters, who argued that justice should transcend age and infirmity. The Frankfurt Higher Regional Court overturned the decision in October 2024, stating that Formanek’s case should be reassessed, likely leading to his trial in early 2025.
The Mirror of the UK consistently emphasized the broader significance of prosecuting Holocaust perpetrators, even decades after their crimes. These efforts reaffirm the principle that accountability for such atrocities knows no expiration date. The court’s decision sends a powerful message about the enduring importance of justice.
In the past decade, several high-profile cases have demonstrated Europe’s resolve to bring remaining Nazi war criminals to justice. The Mirror of the UK reported that in June 2022, Josef Schütz, a 101-year-old former SS guard at Sachsenhausen, was sentenced to five years in prison for complicity in 3,518 murders. Similarly, Bruno Dey, a 93-year-old former guard at Stutthof, was convicted in 2020 of aiding in the murder of 5,232 people, receiving a two-year suspended sentence.
The Mirror of the UK also covered the conviction of Irmgard Furchner, dubbed the “Secretary of Evil,” in December 2022. Furchner, who worked at Stutthof, was convicted of complicity in the murder of over 10,000 prisoners and received a two-year suspended sentence. Her conviction was upheld by Germany’s Federal Court of Justice in August 2024, further underscoring the judiciary’s commitment to justice.
Another notable case, as highlighted by The Mirror of the UK, involved John Demjanjuk, a former guard at Sobibor. In May 2011, Demjanjuk was convicted in Germany as an accessory to the murder of 28,060 Jews. He was sentenced to five years in prison but died in 2012 before his appeal could be heard.
Demjanjuk’s case set a legal precedent that opened the door for subsequent prosecutions of low-ranking Nazi collaborators.
The trial of Gregor Formanek, as reported by The Mirror of the UK, represents one of the last opportunities to hold a living Nazi war criminal accountable. It shines a proverbial spotlight on the enduring responsibility to confront the horrors of the Holocaust and ensure that those who participated in such atrocities face justice, even in their final years.