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By: Russ Spencer
In a Manhattan landscape dominated by pre-war brownstones and stately limestone mansions, one peculiar townhouse on East 71st Street has defied convention — charming onlookers, baffling architectural purists, and captivating the curiosity of passersby for decades. Now, as The New York Post reported on Friday, the so-called “Bubble House” of Lenox Hill has officially come to market for the first time in fifty years, listed at $5.75 million.
Situated at 251 East 71st Street, the residence isn’t just another Upper East Side townhouse. With its stucco façade punctuated by convex ovoid windows — some of which intriguingly rotate open like futuristic portholes — this four-story modernist oddity stands apart in a neighborhood known for its conservative architectural tastes. As The New York Post report noted, the Bubble House’s aesthetic makes it a perennial object of fascination. According to listing agent Richard Pretsfelder of Leslie J. Garfield, the property has long been a magnet for the curious.
“People walk by and they can’t help but stop and stare,” Pretsfelder told The New York Post. “Unlike almost any house I’ve ever heard of, people would actually stop and knock on the door sometimes — which is not particularly common in New York.”
Originally constructed as a traditional 19th-century brownstone, the house underwent a radical transformation in 1969, the brainchild of architect Maurice Medcalfe. As The New York Post report explained, Medcalfe wasn’t merely the designer — he lived in the home during its dramatic metamorphosis. His reimagining coincided with a cultural moment that embraced both space-age aesthetics and avant-garde experimentation in architecture. The result was a structure that blurred the lines between a nautical vessel and a spacecraft, with bold, bubble-like windows that have become synonymous with the property.
“There’s also like a nautical influence, a sort of a porthole element to the whole thing,” Pretsfelder remarked to The New York Post, underscoring the playful yet meticulously considered design. “It is less likely to have been done in a different era.”
Behind its whimsical façade lies a surprisingly conventional interior layout. The 4,736-square-foot residence features four bedrooms, five bathrooms, and an office on the garden level. With sunlit rooms and a flexible floorplan, the Bubble House offers ample potential for customization. Yet, as Pretsfelder candidly told The New York Post, the property is ready for a complete overhaul.
“It just requires work,” he said. “Someone’s going to come in and really do a full renovation down to the studs and make it their own. That may include the façades or not.”
Notably, the home recently underwent a preparatory touch-up ahead of its market debut, which included the removal of a hot tub. Still, it remains a blank canvas, its future reliant on the vision — and budget — of its next steward.
Adding a profound layer of historical resonance to the listing is its most recent owner, Rabbi Arthur Schneier, the venerable leader of Park East Synagogue. As The New York Post recounted, Rabbi Schneier purchased the property in 1974, residing there for decades while becoming an emblematic figure in both religious and diplomatic circles.
A Holocaust survivor and human rights activist, Rabbi Schneier’s leadership at Park East Synagogue has long extended beyond the bimah. Known for his interfaith work and quiet diplomacy, Schneier’s tenure at the synagogue on East 67th Street established him as a vital bridge between communities — and a voice for tolerance in both New York and on the world stage. His ownership of the Bubble House adds a unique spiritual and cultural dimension to a building already rich in architectural distinction.
As The New York Post report pointed out, the home has had only a handful of owners throughout its existence — a rare attribute for Manhattan real estate and a testament to its enduring allure.
Despite its unmistakable character, the Bubble House is not landmarked — a fact that opens the door to potential alterations or even redevelopment. As Pretsfelder admitted in his interview with The New York Post, that reality has sparked both curiosity and concern among neighbors and preservationists alike.
“That is the multi-million dollar question, isn’t it?” Pretsfelder mused on whether a buyer might preserve the iconic façade. “I think they’re probably looking to maximize their dollars … But ultimately it’ll go to the highest bidder.”
While the risk of significant alteration looms, Pretsfelder — a lifelong New Yorker himself — expressed hope that the property’s unique spirit would be honored by its future owner.
“Anybody who grew up in the city has seen it around for the last 50 years,” he reflected to The New York Post. “I’m sure they’d [the current owners] love to see it retained in its current format. But that remains to be seen. As with most pieces of real estate, it’ll be the dollars that do the talking.”
For many, the Bubble House is more than just a curiosity — it’s a cherished quirk in the architectural tapestry of Manhattan’s Upper East Side. As The New York Post underscores, it stands as a symbol of a bygone era of daring design, a relic of an age when creativity occasionally triumphed over convention, even in the most tradition-bound neighborhoods.
Whether it captures the imagination of a design-savvy collector, an ambitious renovator, or a deep-pocketed buyer seeking a signature property, one thing remains certain: The Bubble House’s story is far from over. Its sale offers not just a transaction, but the next chapter in a narrative that spans artistry, history, and cultural significance.
As Pretsfelder aptly summarized to The New York Post, “It’s just an iconic part of the neighborhood.”
In a city where architectural history is often measured in square footage and market trends, the Bubble House remains a rare specimen — a house that invites not just ownership, but stewardship. The next buyer won’t just purchase a home; they’ll inherit a legacy woven into the very fabric of the Upper East Side, one whimsical window at a time.

